STUDIO NAZARENKO
STUDIO NAZARENKO
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In the show SHIELDLESSNESS at Gemeinde Köln 2025, Daria Nazarenko team up with Moïse Daouda Fall, bringing their different backgrounds to their collaboration: Moïse Douda Fall dances krump and is interested in lighting and stage technology, while Daria Nazarenko, an interdisciplinary artist, explores subcultural community practices through performance. Their audiences come from two cultural spheres that can only be connected through their collaborative work. They seek alternative forms of collaboration between two continents, shaped by postcolonial histories and differing notions of equality. Together they explored the notion of unprotected collonial soil around Dakar and oral history guarded by the Griot families.

STUDIO NAZARENKO
STUDIO NAZARENKO
STUDIO NAZARENKO

SHIELDING

Practices and conceptual approaches in which bodies, intentionally or involuntarily, become shields. Bodies take on an ambivalent and controversial status in the process: on the one hand, they serve as protection or as a buffer against others – other people or symbolic sites – and express resistance. On the other, they become weapons as well as shields when they intervene, on the ground as well as politically, in wars and conflict but also activism. Situated in a broader intellectual context, the focus on shielding connects to various debates in which corporeality and embodiment in current socio-political contexts are re-evaluated. It also follows the question of how body-based research from the performative arts can enter into dialogue with other fields of knowledge and application to help understand the aesthetic, sociopolitical, ethical and legal dimension of the body.

TEXT BY SANDRA NOETH AND JANEZ JANSA

STUDIO NAZARENKO

With greatest thanks for their participation in the artistic research:
Ahmadou Sissokho, Famara Mané, Ousmane Sonko, Zarko, Elhadji babacar Faye, Alassane Sissokho

 

Sponsors

SIGMA Audiovisual Systems
ORAFOL
Li Germany
Jung Papier

This exhibition is supported by:

Cultural Office of the City of Cologne

BIO

Daria Nazarenko is moving between film stills and subcultures. By staging bodies and cameras, she highlights the hidden dynamics of social life. Her works encompass multimedia video installations, hybrid dance films, and site-specific live performances. Her artistic practice was significantly influenced by her travels to Senegal from 2021 to the present, where she felt the urge to involve a non-western collective approach through programs at "École des Sables" integrating diverse cultural perspectives. Her artistic practice includes curating urban spaces into museum-like environments, with happenings at the Stadtmuseum Düsseldorf, as well as in Moscow the not-found-Gallery and in Paris at the Beaux-Arts-Ateliers. Currently she is curating permamently at the Gemeinde Köln with the focus on happenings in public spaces. Her works have been showcased in institutions such as PACT Zollverein, K21 Düsseldorf, Sotheby's Cologne and at tanzhaus nrw. 

BIO

Daria Nazarenko is moving between film stills and subcultures. By staging bodies and cameras, she highlights the hidden dynamics of social life. Her works encompass multimedia video installations, hybrid dance films, and site-specific live performances. Her artistic practice was significantly influenced by her travels to Senegal from 2021 to the present, where she felt the urge to involve a non-western collective approach through programs at "École des Sables" integrating diverse cultural perspectives. Her artistic practice includes curating urban spaces into museum-like environments, with happenings at the Stadtmuseum Düsseldorf, as well as in Moscow the not-found-Gallery and in Paris at the Beaux-Arts-Ateliers. Currently she is curating permamently at the Gemeinde Köln with the focus on happenings in public spaces. Her works have been showcased in institutions such as PACT Zollverein, K21 Düsseldorf, Sotheby's Cologne and at tanzhaus nrw.