




duration: 1,5 months living with the crew, using the scientific instruments
artistic tools: discussions, performative interview with the Atlantic Ocean, performative exchange of dresses with the deep sea, collecting sound, video

"Sea Chest" in collaboration with the MARUM department from the University of Bremen. For one and a half months, during a geological research trip the crew of scientists and shipsmen opened an exchange with the maritime space. As a member of a crew I did an artistic research with the focus on the contrast between the compressed space of ship hull and the endless environment of the Atlantic Ocean. The laboratories, the library, the engine room worked as a display for a performative narration.


duration: 1,5 months living with the crew, using the scientific instruments
artistic tools: discussions, performative interview with the Atlantic Ocean, performative exchange of dresses with the deep sea, collecting sound, video



"Sea Chest" in collaboration with the MARUM department from the University of Bremen. For one and a half months, during a geological research trip the crew of scientists and shipsmen opened an exchange with the maritime space. As a member of a crew I did an artistic research with the focus on the contrast between the compressed space of ship hull and the endless environment of the Atlantic Ocean. The laboratories, the library, the engine room worked as a display for a performative narration.

Daria Nazarenko (*1993) is moving between film stills and subcultures. By staging bodies and cameras, she highlights the hidden dynamics of social life. Sometimes hybrid dance films happen close to vitrines full of porcelain gestures and site-specific performances. Her work has been shaped by long-term engagement with Senegal since 2021, including participation in programmes at École des Sables, where she explored collaborative and non-Western approaches to performance and embodied knowledge within postcolonial contexts.
Nazarenko has developed projects in institutional and independent contexts, including Museum Folkwang (Essen), PACT Zollverein (Essen), Kunstsammlung K21 (Düsseldorf), tanzhaus nrw (Düsseldorf), and international presentations in Paris and Moscow. She has also realised site-specific interventions in urban and performative settings, integrating archival and oral knowledge structures into spatial installations. She studied Design and time-based arts at Burg Giebichenstein University of Art and Design and graduated from the class of Dominique Gonzalez-Foerster at Kunstakademie Düsseldorf, 2024. In the latest interdisciplinary run of the Hospitalfield Residency (UK) 2026 she examined the fluidity of class systems in between timelines and migration.
Daria Nazarenko (*1993) is moving between film stills and subcultures. By staging bodies and cameras, she highlights the hidden dynamics of social life. Sometimes hybrid dance films happen close to vitrines full of porcelain gestures and site-specific performances. Her work has been shaped by long-term engagement with Senegal since 2021, including participation in programmes at École des Sables, where she explored collaborative and non-Western approaches to performance and embodied knowledge within postcolonial contexts.
Nazarenko has developed projects in institutional and independent contexts, including Museum Folkwang (Essen), PACT Zollverein (Essen), Kunstsammlung K21 (Düsseldorf), tanzhaus nrw (Düsseldorf), and international presentations in Paris and Moscow. She has also realised site-specific interventions in urban and performative settings, integrating archival and oral knowledge structures into spatial installations. She studied Design and time-based arts at Burg Giebichenstein University of Art and Design and graduated from the class of Dominique Gonzalez-Foerster at Kunstakademie Düsseldorf, 2024. In the latest interdisciplinary run of the Hospitalfield Residency (UK) 2026 she examined the fluidity of class systems in between timelines and migration.