In the performance "Mind Routine" taking place at Weltkunstzimmer Düsseldorf 2020, the interaction between personal posts on social networks and the audience become visible – through a technical triangle discussion.
One person from the audience sits at a long table, on the other side a detective performer. There is an atmosphere of a situative interrogation. The volunteer puts on a headband that uses electroencephalography to describe the mental state of her relaxation at three points. This data is transmitted via Bluetooth to a drawing robot. While this is happening, the artist read out a compilation of private FACEBOOK/INSTA/TWITTER posts, parallel to which personal images are projected onto a surface:
" 45 weeks ago in istanbul the hotel maid misstook you & your boyfriend for honey mooners - sprinkling roses around your bed."
"two days ago you started to realize that your favorite animals are the ones that you would never pet, own, or be close to. Your most favorite of them is the shrimp mantis."
The person sitting opposite will not respond to anything, only the robot will record the waves of excitement on a glass plate.
this project was funded by FANUC industrial robotics
"Mind Routine" was developed in collaboration with industrial designers Chris Walter and Robin Godwyll, the costume design by Kerima Elfaza
In the performance "Mind Routine" taking place at Weltkunstzimmer Düsseldorf 2020, the interaction between personal posts on social networks and the audience become visible – through a technical triangle discussion.
One person from the audience sits at a long table, on the other side a detective performer. There is an atmosphere of a situative interrogation. The volunteer puts on a headband that uses electroencephalography to describe the mental state of her relaxation at three points. This data is transmitted via Bluetooth to a drawing robot. While this is happening, the artist read out a compilation of private FACEBOOK/INSTA/TWITTER posts, parallel to which personal images are projected onto a surface:
" 45 weeks ago in istanbul the hotel maid misstook you & your boyfriend for honey mooners - sprinkling roses around your bed."
"two days ago you started to realize that your favorite animals are the ones that you would never pet, own, or be close to. Your most favorite of them is the shrimp mantis."
The person sitting opposite will not respond to anything, only the robot will record the waves of excitement on a glass plate.
BIO
Daria Nazarenko (she/her) is a cinemato-choreographer
moving between film stills and subcultures.
Her works encompass multimedia video installations,
hybrid dance films,
and site-specific live performances.
By staging bodies and cameras,
she highlights the hidden dynamics of social life.
Her artistic practice was significantly influenced
by her travels to Senegal from 2021 to the present,
where she developed her non-western collective
approach through programs at "École des Sables"
integrating diverse cultural perspectives.
Her artistic practice includes curating
urban spaces into museum-like environments,
with happenings at the Stadtmuseum Düsseldorf,
as well as in Moscow the not-found-Gallery
and in Paris at the Beaux-Arts-Ateliers.
Her works have been showcased in institutions
such as PACT Zollverein,
K21 Düsseldorf, Sotheby's Cologne
and at tanzhaus nrw.
Through her interdisciplinary approach,
she enriches the contemporary art scene
and fosters dialogue about identity,
honoring her own migrational narrative.